Tewksbury Public Library

When artists curate, contemporary art and the exhibition as medium, Alison Green

Label
When artists curate, contemporary art and the exhibition as medium, Alison Green
Language
eng
Bibliography note
Includes bibliographical references (pages 249-281) and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
When artists curate
Nature of contents
bibliography
Oclc number
1004758091
Responsibility statement
Alison Green
Series statement
Art since the '80s
Sub title
contemporary art and the exhibition as medium
Summary
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art's institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different. 0With extensive explorations of well-known artists such as Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol and Felix Gonzalez-Torres, this book will change the way readers think about and look at exhibitions
Table Of Contents
Introduction : when artists curate -- A brief history of artists curating before the 1980s -- Experimenting with and without curators -- Museums and not-museums -- Authoring -- Habitus -- Open works -- Displays of criticality -- Conclusion : the exhibition as medium
Classification
Mapped to

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